Views: 34 Author: Site Editor Publish Time: 2022-08-04 Origin: Site
We often see handbags in our daily life and are also very convenient to use. There are many types of handbags, including gift bags, shopping bags, cosmetic bags, advertising bags, etc. Only handbags that are fashionable, beautiful, and meet the public aesthetic requirements are good handbags. In the design of handbags, it is not only necessary to design one side. In the handbags of many companies, we can often find many design errors caused by unsightly and impracticality. How to effectively avoid the design caused by irregular design? The unsightly and impractical aspects of it are as follows:
There are two main functions of handbags. The most professional graphic design company in Jinan pointed out that one is practical function; the other is publicity function; in terms of practicality, we must consider the choice of paper and price, and the paper should not be too thin to withstand gravity. It should not be too thick, the price is high and it is not resistant to folding; in terms of aesthetics, the stiffness and smoothness of the paper are required to be high, and 200-300g coated paper is the best choice.
Starting from each side, see the beautiful relationship between the sides in all directions. Sometimes one side is designed, but the error in the printing and binding process will affect the beauty of the next side.
In the design process of the handbag, the text needs to be graphical, which is the so-called font design. There are four main points in the font design.
1. Stroke design: This design is to deform the strokes of the text on the premise of maintaining the stability of the text structure to achieve our ideal form and style. According to the most professional graphic design company, the shape design can be a unified change of the overall stroke or a local change. However, in the process of stroke transformation, the coordination of the overall style should be considered.
2. Character connection design: This form of expression is the interconnection between strokes. It is a method that is often used to turn the relationship between several characters into a whole. In the design process, it is necessary to prevent unreasonable blunt pulling. Connect, achieve flexible combination, and make the best use of the situation.
3. Structural design: This design is the change in the structure of each character, and it must be conducive to public recognition. It depends on the specific plasticity of the text to change and adjust.
4. Design of text decoration: Design touches on the surface of the text, but the structure of the glyph cannot be changed. The means of decoration should be consistent with the content. Strengthen the characteristics and uniqueness of the text, and be harmonious and unified with the entire text.
Handbags and gift bags are fashionable and practical, and can be carried on the shoulder or by hand, and are very popular among the public. The public has begun to accept the concept of spending money to buy packaging, so gift bag design, handbag design, shopping bag design, advertising bag design, gift bag design, cosmetic bag design have been paid more and more attention by businesses. Tote bag packaging not only provides convenience for shoppers, but also provides an opportunity to re-sell a product or brand. Beautifully designed tote bags will be addictive, even if there is a prominent logo or advertisement on the bag, customers will be happy to reuse it, this kind of tote bag has become one of the most efficient and affordable advertising media. The graphic design of handbag design is eclectic. In modern packaging design, realistic methods are often not used, but the free composition of points, lines and surfaces is used, which is widely used in the packaging design of many fashionable commodities.
The purpose of handbag design is to pursue the rationality of its function in the behavior of portable goods, and at the same time to convey the information of the goods or to display a corporate image or a personalized cultural atmosphere.